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WB RELEASES
NEW SEASON DETAILS
15.05.2001 - As predicted
here on Planet Buffy, the WB has shifted Angel to 9pm on Mondays as
part of today's launch of its 2001-02 season.
Here's what The WB's
website has to say about the series' third season:
Angel
Returning Series
One Hour Drama
Monday 9/8c
For over 400 years [sic],
he has roamed the Earth destroying men's souls and women's hearts.
He has killed, conquered, and blanketed unsuspecting lives with eternal
darkness. He is the vampire Angel.
But with the second
millennium, a gypsy curse restored something hidden within his empty soul:
remorse. And fate has allowed him a chance to redeem himself in the
shadowy streets of Los Angeles. To atone for centuries of terror,
Angel must now undo his dark legacy by reaching out to those who need his
help most. With Cordelia, Wesley, and Gunn by his side, only Angel
can truly understand the malevolent power of darkness they oppose.
From executive producers
Joss Whedon and David Greenwalt and Twentieth Television. Back to the
top
WB MOVES ANGEL
TO MONDAYS
14.05.2001 - Despite not
hanging onto Buffy, The WB has renewed Angel for the 2001-02
season.
As well as Angel,
the network has renewed Dawson's Creek through to end of the
2002-03 season and Charmed through to 2003-04. Also returning
are 7th Heaven and Sabrina the Teenage Witch, while Roswell,
Popular, Jack and Jill, Grosse Pointe and The PJs
will not be back.
"We're picking up
our three highest rated show and our most important sitcom, and we were
able to do it in a way that wasn't public and wasn't acrimonious,"
the WB's co-entertainment president Jordan Levin said.
Levin and co-president
Susanne Daniels said the network had determined an economic model that
they said made sense in picking up the series.
"It's our
understanding that in every case, the studio will be making a significant
profit from the show overall," Daniels said. "In terms of
their strength on the network, we addressed every show accordingly.
The execs said the WB had
been in talks to renew the quartet of series even before 20th Century Fox
moved Buffy to UPN late last month.
In a surprise switch, Angel
will shift to Mondays at 9pm following 7th Heaven; Variety
says that UPN is now seriously considering picking up Roswell,
though a deal is not yet in place.
The execs said they
ultimately opted to hold on to Angel in the hopes that it will
recruit it own audience in the tough post-7th Heaven
timeslot. WB execs were also reluctant to give up Angel,
which would have then been paired with Buffy on UPN, giving the
rival web a strong night.
"[But] we suspected
that [UPN] woudl put Roswell behind Buffy, so either way
we're handing them a night," Daniels said. "It's also
important for us to keep and grow our male audience, and Angel
ranks high with men."
Glory Days, which
stars Julie Benz has been given an eight episode order and will share the
9pm Wednesday slot with Felicity, which has been given a full 22
episode order this season. Back to the
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HOLLYWOOD
REPORTER: WB TO KEEP ANGEL, UPN AFTER ROSWELL?
11.05.2001 - Will The X Files be back on the case in the fall? How many
times a week will Who Wants to Be a Millionaire run? Will Three
Sisters see a sophomore season?
Those a only a few of the
questions being mulled in TV circles this week as network executives
hunker down in pilot screening rooms in preparation for next week's fall
schedule unveilings in New York.
Now that the threat of a
writers strike has passed, network brass are moving full speed ahead on
picking pilots and setting their fall schedules. The buzz on fall
scheduling moves is starting to build, but, as ever network executives
caution that it's too early to make any definitive calls.
The Hollywood Reporter
then analyses each network's likely line-up in turn, including The WB and
UPN:
After losing Buffy the
Vampire Slayer, the word is that the WB network will probably keep the
show's spin-off, Angel.
Riding high on the recent
Buffy acquisition, UPN is eyeing another potential WB drama import,
Roswell, in case the frog network passes on the 20th Century Fox TV
alien series. Back to the
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BUFFY
SAVES UPN?
10.05.2001 - According to
the Hollywood Reporter, Buffy may have given a reprieve to
the UPN network, with the deal hinging on News Corp.'s decision to keep
the network going on the Chris-Craft TV affiliate groups. The trade
reports that president and chief operating officer Mel Karmazin said the
deal to stay with UPN was tied to the acquisition of Buffy.
Meanwhile, sources inside
of News Corp. are said to be denying that anything of the sort
occurred. Fox sources are also dismissing such talk, claiming that
the Buffy deal would have happened even without the Chris-Craft
stations being set for UPN programming.
In addition, rumours are
still flying that News Corp. may be in the running to acquire UPN. Back to the
top
UPN'S NEW
TUESDAY?
08.05.2001 - According to
yesterday's Wanda column, UPN are likely to Buffy at 8pm on
Tuesdays - its current slot on The WB - "in front of the new Star
Trek series." However, the latter seems rather unlikely
given Angel is also likely to end up on UPN next season. Back to the
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WB GIVES BUFFY
THE BRUSH-OFF
03.05.2001 - Now that Buffy
is headed to UPN, The WB isn't wasting any time distancing itself from the
series. Among the WB's more interesting moves in recent days:
- The WB had previously
planned to run a tribute ad in Buffy 100th episode section
scheduled to run in the Hollywood Reporter next week. In the
wake of the show's defection, and Joss Whedon's comments about the WB's
top management, the ad has now been pulled. UPN has steeped in with
its own congratulatory ad.
- Stock photos of the Buffy
cast have been pulled from the show's official, WB-sponsored
website. WB insiders didn't want to give UPN easy access to pictures
with which it could promote the show's upcoming move. "We're
only exercising our contractual right to exclusively promote the
show," a WB spokesman said.
- A promo spot following
Tuesday's Buffy episode warned viewers that there were only three
episodes left before "The WB series finale" of Buffy.
That's technically true, but there's no doubt WB execs wouldn't mind if
viewers thought the show was ending altogether. Actually, some of us
wouldn't mind if the show was ending altogether.
None of the WB's moves
are particularly harsh or out of line with how other networks have behaved
in the past when shows have switched webs. For example, when the WB
acquired Sabrina, The Teenage Witch from ABC last May, the WB
couldn't mention the Sabrina title on-air until
mid-September. And when the WB snagged The PJs from Fox, the
latter network used most of the summer to double-run the animated series,
thus lessening the value of those repeats to the WB. Back to the
top
MORE JOSS
COMMENTS ON THE UPN MOVE
27.04.2001 - Some further comments, taken
from a recent Joss interview.
How does the cast feel
about moving to UPN?
The cast is fine. I
haven't been able to speak to Sarah (Michelle Gellar) because she's off
with Aborigines somewhere, (Gellar is in Australia shooting Scooby-Doo),
but I know she'll be fine. ... The other cast members have also been
treated extremely well (by UPN) and because the show has never been
positioned as an ensemble show, they're not used to that.
(laughs) At the end of the day, we come here to these crazy
warehouses and shoot the show with the same people no matter who's showing
it.
Are you at all
concerned about losing fans?
I feel about fans a
little bit like the way I feel about girls. If they don't like me,
I'm not interested in them. (laughs) My show, for me, is about
the small kernel of really hard-core fans who have incorporated this show
into their lives as much as I have. I still approach this as a
fan. I go there on Tuesday nights to watch and say, "What's
gonna happen?" They're like, "Joss, you made up what
happens." And I'm like, "Yeah, but it's exciting."
So, do you actually
watch UPN?
No, I don't watch UPN,
but I don't watch the WB either, apart from my own shows. That is
not entirely a slam against the WB, because I don't watch TV. One
thing you'll find out is that people who make TV never have time to watch
it. I'm never home. With the exception of The West Wing,
I never see anything.
Does the move to UPN
mean bigger explosions and lower-cut shirts?
My entire meeting with
the executives at UPN was about the ways in which the show will not change
at all. They've got a sort of testosterone-y rep, and the first
thing I described to them was the musical episode I'm doing next
season. I was like, "Oh, your blood's running cold
now." And (they) were like, "Bring it on."
We hear James Marsters
(Spike) sings in a club in Santa Monica.
James Marsters will be
croonin' for us. He's got a sweet voice. We got a lot of heavy
hitters on our show. In fact, when they come to the house sometimes,
and we sit around and sing and stuff, I sort of just chart in my brain,
"OK, I got some voices here." I finally decided we'll do
it. I'm going to write the entire score as well as the script.
Do you want to take Angel
with you to UPN?
It would be simpler for
me if it came with Buffy. Having said that, because I don't
really think it's gonna happen and because I have a good working
relationship with the people at the WB, I'm fine either way. It
affects whether or not there's crossovers - that's something we haven't
gotten into. We're sort of waiting for the dust to settle and to see
where it lands.
Since you're creating
an animated Buffy series for Fox, you could theoretically have your
hands in three networks. That's got to be cool.
It's nice. I don't
know that I'm the first guy to have my hand in three networks, (but) I may
be the first guy to have my hand in three networks with the same bunch of
characters, the same franchise. And in fact, it may up to four at
some point, but that's all I can say about that. I gotta leave you
hanging. ... It's a fourth network, and it's not the one you think.
Yes, my spin-off on BET, no. (laughs) It's totally Buffy
related, and I'm close. It's absolutely nothing like anything that's
been done before. Back to the
top
WHEDON, UPN
AWAIT ANGEL'S FATE
27.04.2001 - The dust has
settled, the howls are subsiding, and the TV world is getting used to the
idea that Buffy the Vampire Slayer will be fighting evil and saving
the world (again) next season on UPN, not on The WB, its home since its
premiere in March 1997.
"I've got a network
excited about my show," says Buffy creator Joss Whedon.
"I have already figured out almost all of next season. That's
really cool."
However, when the
fledging weblet, best known as the home of WWF Smackdown, bid for Buffy,
some scoffed.
"It was considered a
smart play for us," says Tom Nunan, UPN's entertainment chief.
"It's not like we haven't had successful shows. We're more of a
punchline in the press and among the media than we are to our
viewers."
"Yet, we were
surprised when it ultimately ended up in our lap."
In its original response
to losing Buffy, The WB concluded by saying, "We wish Sarah
(series star Sarah Michelle Gellar), Joss and David Greenwalt
well." While he is a consulting producer on Buffy,
Greenwalt's primary responsibility is its spin-off and Tuesday-night sked-mate
Angel, where he is co-creator and executive producer with Whedon,
and show-runner.
Does this mean Angel
is out-the-door at The WB as well?
"That's pretty
provocative," says Nunan of the wording of The WB's response.
As to the status of the sophomore series, he says, "It's really in
The WB's court. We have a pre-negotiated deal for Angel,
should it become available. We'd love to have it.
"But The WB still
has complete control over the destiny of that show."
"I don't know what
bubble Angel's on," says Whedon. "The common wisdom
among the lower brass (at The WB) seemed to be that Angel was going
with Buffy. Then they basically scrambled and said, 'Well, we
haven't decided yet. We don't have a schedule.' Which is their
prerogative. So I have no idea.
"It's a little
confusing. It will affect certain things, whether or not it's on The
WB. I don't know how easy it will be to do crossovers, on two
different networks that are probably not best friends."
"It's a tough
situation for those guys," says Nunan, "because Buffy
really does drive Angel's audience. Angel is a show
that, while it's promising, it doesn't have the same footing creatively
yet the Buffy does."
"Whether it ends up
on The WB or on UPN, there's more work to be done on that show, and Joss,
I think, is the first one to admit it."
Says Whedon, "I just
spent all of lunch figuring out the next Angel season with Marti [Noxon]
and David [Greenwalt] and Tim Minear, and it didn't really matter what
network we were on. We were figuring out what the hell the show
should be about.
"It's so
complicated. All I know is, Buffy has a home, Angel
has a home - I don't know which one yet - so I have a comfort zone.
Obviously, things are strained with The WB right now, but these are good,
creative people who helped develop Buffy in the first place, and I
would work with them again in a hot minute. But there's the higher
level where I don't have a comfort zone."
Whedon also has no qualms
about going to the lowest-rated network. "A fledgling network
struggling to find an identity - I've done this before. It worked
fine. The fact is, UPN is going to look after me in a way that the
bigger networks never would. They'll pay attention to the show, and
more importantly, they won't interfere in the making of it. They
want the show as it is."
Will UPN ask to have WWF
wrestlers on Buffy? "They're really not going to, bless
'em," says Whedon. "The show's not going to change at
all."
Whedon plans to appear at
UPN's upfront presentation to its advertisers this May in New York.
"Yes, yes!" he says. "I will be there. I'll say
some stuff." Back to the
top
ANOTHER WB
STATEMENT ON THE UPN MOVE
26.04.2001 - Letter
from the WB network's entertainment co-presidents about Buffy the
Vampire Slayer.
April 24, 2001
Dear Buffy Fans,
As you are probably
aware, Buffy the Vampire Slayer will be leaving The WB at the end
of this summer after five seasons with our network.
Of course we're
disappointed that Buffy won't be part of our long-term future, but
we couldn't be prouder of what we've accomplished through years of
nurturing and believing in the show, and of the achievements to date of
the talented cast and crew. It took a lot of time, effort and energy
to get this show on the air at a time when there was nothing else out
there like it, and to make it a success even when others doubted.
Knowing how much you care
about the show, we negotiated strongly to keep it on The WB, but
ultimately the price 20th Television wanted was too high for us to pay
while continuing to bring you other quality programming six nights a week.
You will definitely want
to see what happens in Sunnydale as the current season draws to a
close. With the same passion we brought to Buffy, we're also
working on some amazing new programs for next season we think you'll be
very excited about, and are looking forward to announcing those on
TheWB.com in a few weeks.
We'll keep Buffy.com
going for a long as the show is still on The WB, and TheWB.com
will continue to be your best source for what's happening on the network.
Want to tell us what you
think? Write to us.
And thanks for your loyal
viewership. Everyone here works hard to earn it.
Best regards,
Susanne Daniels
Co-President, Entertainment
susanne@talk.thewb.com
Jordan Levin
Co-President, Entertainment
jordan@talk.thewb.com
THE WB TELEVISION NETWORK
Back to the
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UPN
SINKS ITS TEETH INTO NABBING BUFFY
26.04.2001 - It won't
exactly cause a cosmic shift in the broadcasting universe.
But the recent news that Buffy
the Vampire Slayer is bolting WB to join UPN next season shook up the
world of the bantamweight networks.
What's up with the Buffy
bingo?
WB didn't want to lose
its signature hit, which helped cement the network's brand-name identity
as a popular viewing stop for female teens. And struggling UPN has
been desperate for a hit show beyond WWF Smackdown!
It all came down to -
what else? - the money.
After WB balked, UPN
quickly agreed to pay a whopping $2.3 million per episode to acquire Buffy,
which stars Sarah Michelle Gellar and will probably stay at 8pm Tuesdays
in its new network home. That exorbitant price is more than twice
what WB had been paying 20th Century Fox Television, which produces the
adventure series.
Buffy will
instantly boost UPN. But the series also might look lost admist
UPN's schlock-fuelled, guy-orientated lineup of pro wrestling and dim-bulb
reality shows like Chains of Love.
Though it's a hit for WB,
Buffy averages 4.4 million viewers a week. That's only
one-sixth of what Survivor routinely attracts on a major network
like CBS.
Also, WB may well survive
the loss of the Buffster.
Despite its high profile,
Buffy the Vampire Slayer is only the fourth-most-watched show on
WB, trailing 7th Heaven, Dawson's Creek and Charmed.
In addition, WB still has high-quality female-appeal series like Felicity
and Gilmore Girls in its lineup.
Sure, UPN is smiling now.
But even as Buffy the
Vampire Slayer gives the network a jolt of publicity and ratings
energy, there's always the chance UPN has paid way too much for a chunk of
ageing eye candy.
No disrespect, Buffy, but
even the best shows start slowing down after 5 years. Gee, it could
be time for a crossover episode with WWF Smackdown.
The Rock and Buffy - now
that's true UPN love.
Source: The Detroit
Free Press, 25 April. Back to the
top
DRAWING
BLOOD
26.04.2001 - Will next
season's move of Buffy the Vampire Slayer from the WB to UPN be
enough to drive a stake through the heart of the TV industry's standard
business practices?
On its face, the fact
that a show that ranked in 105th place in last week's Nielsens is moving
from one fifth-rate network to another shouldn't be considered
industry-rattling news. But consider these three facts:
* Despite its low ratings
- it's not even the WB's biggest hit (that would be 7th Heaven) - Buffy
has a very high media profile, thanks to an attractive young cast and its
position as a darling of many critics (including this one). When
changes happen to the show, Hollywood notices.
* Buffy is moving
because UPN offered to pay more money ($2.3 million per episode) than the
WB (a reported $1.8 million) was reportedly offering. It's the first
time a show has changed networks solely for money reasons; traditionally,
series like JAG or Taxi moved to a new network only after
being cancelled by their old one.
* Buffy is
produced by 20th Century Fox Television, a subsidiary of Rupert Murdoch's
NewsCorp. Half of UPN's major affiliate stations are in the process
of being purchased by NewsCorp. Murdoch is also reportedly
interested in buying an ownership stake in the network itself.
When the FCC eliminated
the "fin/syn" rules that prevented studios from owning networks,
and networks from owning the shows they aired, many in Hollywood worried
that vertical integration would become the rule, not the exception.
If Disney owns ABC, why
would it sell one of its shows to NBC? Why would CBS/Viacom sell one
of its shows to Fox? Just as important, why would NBC want to buy a
Disney show, watch it turn into a hit, and then lose it to ABC when
renewal talks began?
Earlier this year,
Paramount, part of the Viacom empire, used the threat of moving Frasier
to CBS to jack up its renewal price at NBC.
Meanwhile, outgoing WB
CEO Jamie Kellner was doing his best Chicken Little impression throughout
the Buffy negotiations, asserting that if Buffy moved to the
Fox network (a hot rumour at the time), it would end all trace of civility
between rival media conglomerates.
"Twentieth
Television has made an inauspicious decision for the television industry
by taking one of their own programmes off of a non-affiliated network and
placing it on a network in which they have a large vested interest,
through ... public comments that Fox and UPN are discussing ways to
merge," read a WB statement.
UPN and Fox studio execs
insist the move had nothing to do with vertical integration, that UPN gets
a badly needed signature series to replace the retiring Star Trek:
Voyager, while Fox gets an extra $22 million over the two-year deal.
Right now, most of
Hollywood is too gripped by preparations for potential strikes by the
writers' and actors' guilds to worry too much about the Buffy move;
it may take another season or two before we see whether there's any real
fallout.
In the meantime, the most
pressing question may be what happens to Angel the Buffy
spin-off that's still under contract at the WB. The Buffy
deal contains a clause obligating UPN to pick up Angel should the
WB cancel it (either out of spite or because they feel it can't stand on
its own).
And the WB dropped a big
hint about its Angel intentions in the aforementioned statements,
which also said, "We wish Sarah (Michelle Gellar), (Buffy
creator) Joss (Whedon) and (Angel co-creator) David Greenwalt
well."
Source: The New Jersey Star-Ledger,
24 April. Back to the
top
MORE
ON THE UPN MOVE
24.04.2001 - A snippet
from yesterday's Wanda column on E! Online:
Are you saying you
want the WB to cancel Angel?
As much as it pains me to
say it, yes. Honestly, I don't think they deserve to keep it, the
way Jamie Kellner disrespected Joss and Buffy over the past few
months. And if Angel gets the boot from the WB, it can follow
Buffy over to UPN, keeping the shows in a unified block, where they
belong.
Actually this isn't
strictly accurate as UPN are committed to picking up Angel
should the WB cancel it. Back to the
top
BUFFY
LOSS TAKES A BITE OUT OF WB
24.04.2001 - Hollywood (Variety)
- Losing Buffy the Vampire Slayer won't kill the WB - but it's
gonna sting.
While the 20th Century
Fox TV-produced series isn't the WB's top-rated show - that honour belongs
to Monday powerhouse 7th Heaven - Buffy is the anchor of the
WB's Tuesday lineup, with an average audience of about 4.5 million
viewers. Star Sarah Michelle Gellar is one of the WB's icons.
It's too early to say
just what the WB will do on Tuesday nights next season. First up,
the network must decide whether to keep or kill Buffy spinoff Angel.
Ratings-wise, some
industry insiders believe Angel would suffer without the benefit of
a Buffy lead-in. The network may also want to make a clean
break from the entire Buffy franchise.
On the other hand,
cancelling Angel would mean giving UPN another hour of successful
programming, which the latter network would likely use to build a whole
new Tuesday.
Assuming Angel
flies, one leading contender for the 8pm Tuesday slot would be Smallville,
the young Superman series that already has a 13-episode commitment.
The show's superhero-as-teen plot mirrors that of early Buffy.
Another possibility would
be Dead Last, which revolves around a Scooby Doo-like rock
band that solves mysteries. It also has a 13-episode order.
In addition to its
Tuesday problem, the WB will have other holes to plug next season.
On Monday, Roswell was
all but dead before the Buffy move. It's now buried. On
Fridays, the WB will have to fill an hour left by the likely cancellation
of teen drama Popular. The WB will also need at least another
hour of programming on Sunday, and quite possibly two hours.
Perhaps most importantly,
losing Buffy means losing the WB's most-praised series. Last
year, the series snagged Emmy and Golden Globe nods and made the 10-best
lists of critics from Time, TV Guide and USA Today.
While plaudits don't
always equal ratings, the WB has used praise for Buffy - and other
shows, including newcomer Gilmore Girls - to build a brand as a
home for quality young adult drama. That mission now gets a bit
tougher.
Source: Reuters/Variety.
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